19 Haziran 2012 Salı

Image Entertainment presents "GHOST HUNTERS: SEASON 7: PART 1" on DVD August 7th

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ONE OF SYFY CHANNEL’S MOST WATCHED SERIES IS BACK FOR ITS SEVENTH SEASON!

On August 7th, Image Entertainment prepares you for more thrills and chills from the #1 paranormal franchise on TV with “Ghost Hunters: Season 7: Part 1.”  Featuring all-new unforgettable adventures and loaded with never before seen bonus footage, the TAPS gang is back on DVD for an SRP of $24.98.  Pre-book is July 10th.

The series whose continued success and die-hard fan base has spawned its own hit spin-offs returns for a seventh thrilling season.  This time around, follow the team as their investigations lead them to a Pennsylvania asylum, a haunted hotel where contractors have walked off the job and refused to return, a resort in the middle of nowhere, and for the first time an entire city is explored to find the unruly spirits within!

Ghost Hunters: Season 7: Part 1 features 12 new chilling investigations:

    * Haunted Town
    * Pennsylvania Asylum
    * Century of Hauntings
    * French Quarter Phantoms
    * Hotel Haunts Unleashed
    * Frozen in Fear
    * Residual Haunts
    * Knights of the Living Dead
    * A Soldier’s Story
    * Pearl Harbor Phantoms
    * Urgent!
    * Hill View Manor


Ghost Hunters: Season 7: Part 1 DVD
Street Date:                 August 7, 2012
Pre-Book:                    July 10, 2012
UPC #:                        014381779325
Catalog:                       ID7793PGDVD
Aspect Ratio:              Anamorphic Widescreen (1.78:1)
Audio:                         Dolby Digital Stereo
Subtitles:                     N/A
Retail Price:                 $24.98
Genre:                         Television, Special Interest, Mystery / Suspense, Ghosts, Haunted Houses, Myths / Legends, History / Events, Documentary
Rating:                        Not Rated
Run Time:                   576 minutes
Year:                           2011
Special Features:         Never Before Seen Bonus Footage; Special Foil O-Card Packaging


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RAGS TO RICHES: THE COMPLETE SERIES -- DVD review by porfle

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A weird conglomeration of teen period musical, teen family drama, teen family sitcom, adult dramedy, and all-around idiocy, NBC-TV's RAGS TO RICHES: THE COMPLETE SERIES (1987-88) comes to DVD in a five-disc, 20-episode set that's like a grueling marathon of sheer teen "WTF?"

Actually it isn't totally bad once you get used to it, but getting used to it is a pretty major undertaking.  What we have here is Joseph Bologna (MY FAVORITE YEAR) as frozen foods tycoon Nick Foley, a "streetwise" New Jersey-born playboy circa 1961 who wants to improve his public image by temporarily adopting six orphan girls aged 8-17.  Naturally, their initial culture clashes and personality conflicts will evolve into mutual love and understanding as the odd sextet become a family, with everyone learning and growing and all that good stuff.

The movie-length pilot (which, for some reason, is called "Rags and Riches" and looks like a crudely-edited workprint) gives us six downtrodden Annies in search of a Daddy Warbucks while the hateful old spinster in charge of them threatens to ship them all off to juvy hall.  After being adopted by Nick--on the advice of his young assistant, played by an embryonic, Gumby-haired Bill Maher--their rough adjustment to the lap of luxury is complicated when they discover that Nick and his loathesome fiance' have planned to ship the girls off to a strict boarding school ASAP. 

Choosing what they consider the lesser of two evils, they run back to the orphanage, whereupon Nick realizes how much he now loves them and can't live without them.  He goes to the orphange to fetch them home, thus setting the stage for seemingly endless adventures in adolescent angst which often escalates to nightmarish proportions.  (The sixth girl, Heather McAdam as "Nina", disappears from the cast after the pilot.)

While "Brady Bunch"-type comedy abounds along with several of its plotlines (in one episode, 13-year-old Patti's big science project is--you guessed it--a volcano), a big factor here is broad, relentlessly overplayed drama.  Particularly in the earlier episodes, these young actresses are so doggedly intense that their scenes resemble really bad drama class exercises, with future "Martin" co-star Tisha Campbell as Marva often being the most freakishly overwrought. 

Not only that, but their characters often come across as total spoiled bitches, constantly screaming their lungs out at Nick and each other before stomping offscreen and slamming doors.  A typical example:  "Blah blah blah!!!  I am not going to [whatever Nick has told her to do] and there's nothing you can do about it!!!"  STOMP STOMP STOMP!!!  SLAM!!! 

Even as late as episode 12 ("Wilderness Blues"), Nick's insistence that they go camping as a family leads to his being mercilessly harangued day and night, to such an extent that I wouldn't have blamed him for lobbing a live grenade into the girls' tent after lights-out.  Of course, strong-willed Marva runs away to be with her college-aged boyfriend the moment Nick turns his back, ranting and fuming the whole time, while Rose (Kimiko Gelman, THE HUNGER GAMES) and ditzy blonde Diane (Bridget Michele) sneak off to attend a dance at the lodge. 

Later episodes begin to show a promise that the series' second-season cancellation would cut short.  "Dear Diary" features Robin Curtis ("Lt. Saavik" in THE SEARCH FOR SPOCK) as an unconventional teacher whom conservative dad Dick Van Patten wants fired for being an unhealthy influence on her students.  "Born to Ride" guest-stars David Paymer (GET SHORTY) as a con man faking an injury to gain insurance money after supposedly being hit by novice driver Diane. 

The final episode, "Sweet Sixteen", ends the series on a high note as the Cuban Missile Crisis drives the Foley's into their newly-built bomb shelter and those of us old enough to remember get to relive what the whole atomic bomb scare was like, complete with elementary school kids participating in "duck and cover" drills.  The song-and-dance stuff is mercifully toned down in this one, and we get the idea that the show might have actually evolved into something pretty worthwhile if allowed to continue. 

High points aside, however, much of "Rags to Riches" is business-as-usual dumb stuff straight outta Bradyville but with loads of bratty attitude that Mike and Carol never had to contend with.  In "Business is Business", Marva buys her own lunch wagon against Nick's advice and then, when the endeavor goes south, immediately drives it to a secluded area and douses it with gasoline so she can torch it and collect the insurance!  (Fabian and Ken "Eddie Haskell" Osmond guest star as her unscrupulous competitors.) 

"Foley vs. Foley" is the old saw of the girls protesting the closing of lovable Spiro's (Jack Kruschen) hamburger joint to make way for the new Foley building complex.  "Hunk in the House" has Rose and Diane both falling for Nick's visiting godson, played by a young Richard Grieco.  "Marva in the Key of Cee" is the show's version of the Marcia Brady-Davy Jones affair, but with Marva promising to get retired torch singer Cee Cee Smith (Margaret Avery, THE COLOR PURPLE) to sing at the prom without actually asking her first.  "Partridge Family" alumnus Danny Bonaduce shows up in "Guess Who's Coming To Slumber?", the old story of the illicit party that gets horribly out of control while Nick is due to return from a trip at any minute.

"Vegas Rock" and "Once Upon a Lifeguard" play up the girls' sexuality in borderline inappropriate ways.  In the former, they secretly follow Nick to Las Vegas because, as usual, they do whatever they damn well please, and end up performing onstage in showgirl costumes.  In the latter, Patti's desire to impress a hunky older lifeguard has her sashaying around in skimpy bathing suits and stuffing her bra to Mae West proportions.  (Future porn actor Scott Schwartz of A CHRISTMAS STORY guest stars.)  While this is ostensibly meant to draw in potential teen male viewers, it sometimes comes off as a tad creepy. 

For better or worse, however, what really sets "Rags to Riches" apart from other shows of its ilk is the fact that it's a musical.  This means that the girls break into song and dance numbers at the drop of a plot twist, and more often than not they're blaring, sassy-brassy covers of 50s-60s tunes (their lyrics altered to fit the storylines, as when "Please Mr. Postman" becomes "Hey, Mr. Foley") with lots of head jerking, hand jiving, arm flailing, and generally obnoxious choreography that would embarrass even Paula Abdul.  Even the youngest sister Mickey (played by perhaps the best actress of the bunch, 8-year-old Heidi Zeigler) gets into the act with her saxophone, which we're supposed to believe she can play like a pint-sized Tom Scott. 

When this happens, the girls suddenly turn into hopped-up speed-freak versions of the Pointer Sisters for a couple of minutes before going back to what they were doing as though nothing had happened.  As if that weren't bad enough, Joseph Bologna and Douglas Seale (as their overly-cutesy British butler, Clapper) sometimes add their rusty pipes to the mix.  On the rare occasions that a slow ballad is required, the girls display some pretty nice singing voices, as when Patti (Blanca De Garr) and Rose duet on "Anyone Who Had A Heart."  Some of the songs are anachronistic ("You're No Good", "Get Ready") considering the show's early 60s time frame, but since the whole thing's a fantasy anyway I suppose it doesn't really matter.

The 5-disc set (running time 18 hrs. 20 min.) from Image Entertainment has an aspect ratio of 1.33.1 with Dolby Digital sound.  There are no subtitles or extras.

Much of RAGS TO RICHES: THE COMPLETE SERIES finds Joseph Bologna struggling to figure out just how the hell to play this kind of teen-oriented nonsense while his young female costars chew up the scenery like a school of ravenous singing and dancing piranha.  And just when they all seem to be on the verge of finding their way, the party's over.  While I can't wholeheartedly recommend it as actual entertainment, I must say that this bizarre patchwork creation is one of the most perversely interesting train wrecks I've seen in a long time.


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NEW TRICKS: SEASON SEVEN -- DVD review by porfle

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"The longer I'm on this case," says Jack Halford, retired ex-cop now working on the Unsolved Crime and Open Case Squad (UCOS), "the harder it is to figure out who's telling the truth."  Hardly surprising, since the cases tackled by the main characters in the popular BBC series "New Tricks" are so convoluted that they're like watching a tennis match in which the truth is batted back and forth until some vital last-minute revelation finally nails the right suspect with an overhead smash. 

They're interesting cases, to be sure, but what really makes the show tick is the interaction between the crusty old geezers on the squad and their younger boss, Detective Superintendent Sandra Pullman (Amanda Redman), who originally got stuck with them as a career-stalling move but now finds solving cold cases with this brilliant but eccentric bunch in their remote basement headquarters to be a fulfilling vocation.  Acorn Media's 3-disc DVD set NEW TRICKS: SEASON SEVEN continues their long-running partnership with ten more cases that are as intriguing and fun as any I've seen thus far.

The geezers in question are Sandra's longtime mentor and the team's most level-headed member, Jack Halford (James Bolam), politically-incorrect ladies' man and three-time divorcee Gerry Standing (Dennis Waterman), and downright odd obsessive-compulsive tech geek Brian Lane (Alun Armstrong).  The boys are an irreverent bunch and set in their ways, causing Sandra constant grief as she acts as den mother while trying to keep things on an even keel between them and their supercilious young superior, D.A.C. Strickland (Anthony Calf). 

As important as the unsolved crimes are to each episode, it's the character interaction that drives the show whether it be delightfully funny (as when Brian is found blowing his own horn on Twitter as "topcop999") or unexpectedly serious, as we often see when members of the squad go at each other over some hot-button personal or professional conflict. 

Sandra is never hesitant to sharply rebuke her team for some unorthodox act, yet she's subject to the same treatment from them if she's thought to be overstepping her bounds.  In the boxing-oriented episode "Gloves Off", for example, there's a last-minute exchange between her and a defiant Halford that's blisteringly dramatic, ending the episode in stunning style.

There's even a scene in which an angry Brian tries to punch out former boxer Gerry and gets a bloody nose for his trouble. On the homefront, Brian's obsessive and often disturbingly odd behavior is still a source of bemused consternation to his long-suffering wife and keeper Esther (Susan Jameson). 

Conversely, D.A.C. Strickland seems to be loosening up a tad this season and isn't quite as stiff-arsed as usual--in fact, he's even rather complimentary toward UCOS at times.  With him, though, the pendulum could swing back the other way at any moment, just as the overall "comfy-feely" atmosphere within UCOS itself can be shattered at the drop of a hat.

Several things occur which serve as points of interest in season seven.  Longtime smoker Gerry suddenly decides to kick the habit, with predictable results.  Brian becomes paranoid that the government is spying on him, and anyone who's seen Gene Hackman in THE CONVERSATION can guess what effect this has on him.  Sandra is invited to her class reunion but refuses to go, eventually revealing a telling secret about her high school days.  Oddly, last season's cliffhanger surprise involving her newfound half-brother is given little emphasis this time around. 

Simon McCorkindale guest stars in "Dead Man Talking", with Paul Rhys ("Murdoch Mysteries") as a shady clairvoyant who may or may not be preying on the gullibility of a woman whose father was murdered in their home years earlier.  In "It Smells of Books", Brian is delighted that their latest case allows him to haunt a library for clues in the unsolved murder of a university teacher.  "Left Field" reopens the case of a little boy who disappeared while his parents were at a protest rally, and who may still be alive after many years. 

In "Dark Chocolate" the team resumes the search for a serial rapist in a chocolate factory, with a severed finger in a chocolate bar serving as one of their clues.  "Good Morning Lemmings" is the story of a graffiti artist whose killer may be bragging about his deed on walls all over the city.  "Fashion Victim" concerns the unsolved murder of a fashion designer along with a sartorial makeover for Gerry that doesn't go over well with his co-workers.  Rupert Graves of BBC's "Sherlock" guests.

The case of a serial arsonist and his mysterious motives gives "Where There's Smoke" its dramatic spark and ends thrillingly with the boys trapped on the second floor of a burning apartment.  The kidnapping of a young debutante keeps the team guessing in "Coming Out Ball" (with guest star Sian Phillips), while "Gloves Off" features the aforementioned Gerry vs. Brian altercation along with that searing final exchange between Sandra and Jack. 

The season's final episode, "The Fourth Man", is one of the series best so far with the investigation of a deputy assistant commissioner going off the rails and resulting in the ignominious dissolution of UCOS.  D.A.C. Strickland joins the team for this one, which offers up heaps of scintillating drama and a wonderfully sleazy performance by John Shrapnel as the smug top cop who considers himself untouchable.

The 3-disc DVD from Acorn Media is in 16:9 widescreen with Dolby Digital sound and English subtitles.  Extras consist of an 8-minute making-of featurette and about ten minutes of bloopers. 

With NEW TRICKS: SEASON SEVEN this endlessly appealing BBC series shows no signs of running out of steam any time soon.  (Although I'll be interested in seeing how James Bolam's retirement from the show has affected its quality as future seasons become available on DVD.)  With its own inimitable style and one of the best ensemble casts on British television, "New Tricks" keeps on taking cold cases and making them hot again. 


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Anchor Bay Entertainment Brings Back 1980's "MOTHER'S DAY" on Blu-ray and DVD September 4th

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“A masterful classic horror film” – “Prinz” Lee Romero, Starpulse.com

ANCHOR BAY ENTERTAINMENT PRESENTS THE ORIGINAL 1980 CULT CLASSIC "MOTHER’S DAY"

For The First Time On Blu-ray™ & All New Special Features!

Do What Mother Says Starting September 4th


Beverly Hills, CA – After three decades of anticipation, cult classic Mother’s Day is finally getting released, remastered for DVD, and available for the first time on Blu-ray™, September 4th, from Anchor Bay Entertainment, the leader in horror for home entertainment.

Originally released by Troma Entertainment in 1980, the film shocked critics, but garnered a huge cult following among fans of the genre, including Hostel director Eli Roth, and director of Saw II-IV, Darren Lynn Bousman, who helmed the 2012 remake starring Rebecca De Mornay.

Directed by Charles Kaufman and written by Kaufman and Warren Leight, the original Mother’s Day follows three young women abducted by homicidal momma’s boys Ike and Addley, while camping.  Ike and Addley are goaded by their “Mother” into violent and graphic acts of torture against the three women. While doing everything to stay alive, the three women muster the courage escape, and serve their maniacal abductors some old-fashioned justice!

Featuring an all-new HD transfer, and never-before-seen bonus features, including commentary, behind-the-scenes footage, and a newly created featurette with genre favorite Eli Roth (Producer of The Last Exorcism, Grindhouse and Hostel 1 & 2), fans can finally add this long-awaited cult classic to their library, and new fans can experience the terror of Mother and her bloodthirsty boys for the first time.  SRP is $19.98 for DVD, and $24.99 for Blu-ray™. Pre-book is August 8th.

About Anchor Bay Entertainment
Anchor Bay Entertainment is the home entertainment division of Starz Media, LLC. It includes the Anchor Bay Films and Manga Entertainment brands. It distributes feature films, children’s entertainment, fitness, TV series, documentaries, anime and other filmed entertainment on Blu-ray™ and DVD formats. Headquartered in Beverly Hills, CA, Anchor Bay Entertainment has offices in Troy, MI, as well as Canada, the United Kingdom and Australia. Starz Media (www.starzmedia.com) is an operating unit of Starz, LLC, a wholly-owned subsidiary of Liberty Media Corporation.
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THE JOURNEY -- DVD review by porfle

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Political intrigue and forbidden romance are among the ingredients in Anatole Litvak's 1959 potboiler THE JOURNEY, which pits a brash, blustery Yul Brunner against a coolly refined yet passionate Deborah Kerr in this DVD from the Warner Archive Collection.

A disparate group of travelers trying to fly out of Budapest during the Hungarian Revolution of 1956 are taken by bus to an inn near the Austrian border, detained by the Russians until Major Surov (Brunner) receives clearance from his superiors.  Lady Diana Ashmore (Kerr) is aiding an injured political fugitive named Fleming (Jason Robards, Jr. in his screen debut), with whom she is in love and hopes to escape, but their plans are thrown into disarray when Surov develops a romantic obsession with Lady Ashmore.  

Slow-paced and, at 126 minutes, perhaps a tad overlong, THE JOURNEY is carried mainly by Brunner's robust performance and Kerr's refined appeal, along with several interesting supporting players.  Robert Morley is properly British as television journalist Hugh Deverill, who fancies himself the group's spokesman.  E.G. Marshall and Anne Jackson are a typical middle-class American couple trying to get back home with their two children, played by Flip Mark and a miniscule Ron Howard.  Kurt Kasznar (TV's "Land of the Giants") is likable as the sympathetic innkeeper, Csepege, who helps coordinate Diana and Mr. Fleming's eventual escape attempt into Austria.

The interiors tend to be stagey but some fine location footage breathes life into the film.  A couple of dinner scenes with Surov playing host to the group are rife with rising tension as the Russian officer prods the nervous assemblage for information about the mysterious Mr. Fleming while also enjoying their company. 

A career soldier, Surov's inner clash between his humanity and devotion to duty makes for a volatile combination, his "simple human hunger for a talk, a debate, an argument" with his unwilling guests compounded by his sudden infatuation with Diana.  As her lies about Mr. Fleming grow more transparent, his unpredicatable nature becomes a threat to both her and the entire group.  Also haunting him is the accusatory face of a young freedom fighter, Eva (Anouk Aimée), who represents the hatred of the Hungarians toward him and his fellow Russian soldiers. 

With Diana and Fleming's attempted escape comes a change in Surov's demeanor that's as marked as that of Brunner's Pharoah after the Exodus.  Here, the film finally heats up as Surov's devotion to duty takes on renewed vigor as a response to his earlier weakness.  This provokes irrational hostility toward Diana from her fellow travelers, some of whom even suggest that she not only hand over Fleming to the major but also give in to his obvious desire for her in order to take the heat off of them.

The film is a fairly absorbing example of old-fashioned storytelling but it's Brunner who keeps it watchable.  Intrigued by Diana's courage and beauty, delighted with the cat-and-mouse game he plays with the travelers, his Major Surov also becomes a tragic figure who feels stifled by his long marriage to the military and yearns to "cheat on the bitch" by doing something entirely human for once. 

Surov's grief over the death of a beloved horse makes his character even more sympathetic, while Litvak and screenwriter George Tabori wisely choose to make the other Russian characters a realistic group of war-weary soldiers who are tired of fighting.  Interestingly, all of their scenes are spoken in Russian with no subtitles or translations, yet the intent is clear enough that none are needed.

The DVD from the Warner Archive Collection is in 16x9 widescreen with Dolby Digital sound.  There are no subtitles.  The sole extra is a trailer.  The print used is generally good save for some rough patches here and there. 

THE JOURNEY's political conflict is embodied by Yul Brunner's emotive theatrics and Deborah Kerr's understated, internalized acting style, while the film itself unfolds its story at a stately pace until the somewhat abrupt and jarring ending.  Not quite a memorable viewing experience, it's still worth a watch for its authentic locations and interesting cast.


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18 Haziran 2012 Pazartesi

Series Spotlight - The Moreno Brothers

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Have you heard of the Moreno Brothers series by Elizabeth Reyes?! If not, you need to check it out immediately! The Moreno Brothers is based around the love lives of the Moreno brothers themselves, Angel, Alex, and Sal, their sister Sofie, and their friend Romero. I first heard of this series when Forever Mine, the first book, was available for free on Amazon Kindle. I downloaded it not knowing what to expect, after all, free Kindle books are pretty hit-and-miss, but I was pleasantly surprised! 
This is one of my favourite contemporary YA romance series's because they're not all light and fluffy. They're down to earth and gritty, and each of the characters is well rounded, with flaws as well as good traits. Plus, all of the guys have that whole over protective kinda bad boy thing going on, which I love! 
Right now I'm reading Making You Mine, the final book in the series (nooooo!) and it's hands-down the best one yet. Of all of the Moreno's, Sal is the most mature, and definitely the sexiest! 
So if you're yet to read these books, I suggest you get your hands on them ASAP. They're fun, super romantic and a little different to most of the other romantic YA books I've read.
There are five books in the series, with an as yet untitled spin-off of the series coming later this year!


Pushing the Limits by Katie McGarry - Review

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The Blurb - No one knows what happened the night Echo Emerson went from popular girl with jock boyfriend to gossiped-about outsider with "freaky" scars on her arms. Even Echo can't remember the whole truth of that horrible night. All she knows is that she wants everything to go back to normal. But when Noah Hutchins, the smoking-hot, girl-using loner in the black leather jacket, explodes into her life with his tough attitude and surprising understanding, Echo's world shifts in ways she could never have imagined. They should have nothing in common. And with the secrets they both keep, being together is pretty much impossible. Yet the crazy attraction between them refuses to go away. And Echo has to ask herself just how far they can push the limits and what she'll risk for the one guy who might teach her how to love again.(From Goodreads)
The Cover - How fantastic is this cover?! It's so different, and there's so much chemistry between that couple! I also love that it's not all pretty and girly like a lot of YA romance covers these days, because this book is not pretty and girly at all!.
The Review - Wow, this book is something else... and I mean that in a good way! YA isn't usually my thing. I'll read a whole lot of historical fiction and romance, then come back to YA, and this book reminded me why I love the genre, and why I do continue to keep coming back. It's everything you want in a contemporary young adult book: it's sexy, dramatic, and something a little bit different. And did I mention that I read this in a few hours? It was that good!
Echo and Noah (Oh my gosh, Noah. What is it with Noahs these days?!) are seriously amazing together. Their chemistry was undeniably hot throughout the whole novel, and they related to each other so well. I loved how "there for each other" they were; they had a deep emotional connection, yet it still felt real to me as a reader. I really loved that they didn't become co-dependant on each other either. I'm getting so sick of seeing that in books these days, so it was refreshing to read a YA without it happening. Oh, and don't even get me started on Noah himself! Tatted-up bad boy is so my type, and he had a hidden sweet side to him too. Perfect! Also, I thought that Katie McGarry managed to voice both characters distinctly and realistically - it felt like two totally different authors were writing.
Pushing the Limits is unlike many of the other YA romance novels around today. There is no "insta-love" and definitely no love triangle - there's just Echo and Noah, and all the crazy drama and baggage that came along with them. Irrefutably dark and gritty, this isn't a fluffy romance, yet there is still that oh so necessary happily-ever-after that every reader secretly craves. Pushing the Limits is one of those rare books that manages to be both deep and very dramatic, yet still remain a true love story at heart. 
This book was so good! 4 Roses.
Pushing the Limits is available on July 31. Also, look out for the spin-off Dare You To, coming next year!Thank you to Harlequin for providing me with an e-book copy.