Rick Moranis stars as Seymour Krelborn, the ultimate schlub, working in a skid row plant shop for tyrannical boss Mr. Mushnik (Vincent Gardenia). He loves his co-worker Audrey (Ellen Greene) but lacks the confidence to ask her out. He finds a strange little plant, brings it back to the shop, names it "Audrey II" and raises it. Unfortunately it turns into a carnivorous monster that craves blood and moans "Feed me!" Levi Stubbs, the singer for the Four Tops, provides the plant's deep speaking and singing voice. Three backup singers named after 1960s girl groups, Crystal, Ronette and Chiffon, turn up as well.
But Steve Martin steals the show as the motorcycle-riding sadistic dentist currently dating Audrey; he even generated a small amount of Oscar buzz at the time. Other comedians include Bill Murray, Christopher Guest, James Belushi and John Candy. Oz was no doubt hired to handle the plant monster puppet, but his brisk, lightweight direction spreads satisfyingly across the entire movie.
In 2012, Warner Home Video finally released Oz's director's cut -- along with the theatrical cut -- on a new Blu-ray edition. The movie's strange color scheme really pops in high def, as does the audio of the musical score. Extras include a commentary track by Oz for the theatrical cut, as well as an isolated commentary track for the new footage of the director's cut. There are also a couple of featurettes, one new and one vintage, some fascinating outtakes, and trailers. This edition is one of Warners' "Blu-ray books," which contains several full-color pages of pictures and text.
(Note: the following contains spoilers.)
And, finally, an army of giant, blood-slurping plants starts rampaging the world, tearing down buildings and bridges and terrorizing victims everywhere. This last bit goes on far too long, and on the whole the director's cut is about ten minutes longer than the theatrical cut. Additionally, James Belushi does not appear in this cut; his scene was filmed to fill in the holes in the theatrical cut. It's fairly clear why test audiences balked at this version, but I now prefer it -- by far -- to the theatrical cut.
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