
Once, again, we're in conversation with HAL, the ship's majordomo, in constant analysis mode, here, first as art critic—he's a computer!—then, as ship gossip/crew psychologist. It still amazes me that HAL is such a powerful presence in the movie, despite being portrayed with a single shot of a red lens, and the disembodied voice of Douglas Rain. HAL, and his appropriately distorting viewpoint, will prove to be the focus for the rest of the Discovery section of the film, and his actions will be just one more catalyst for the film's final section, which the entire movie has been building up to. This scene is the final moment of human complacency before a cosmic event of transfiguration.

It's then followed up by a shot I still haven't figured out: a shot of Poole, taking notes on the Discovery's perspective and gravity-free bridge, looking straight down on his head. The camera pulls out, and just in the next section is Bowman standing a full 90 degrees perpendicular from Poole's position. Neither actor betrays any framing or position adjustment and then to cap it off—to prove he's not wired or rigged to anything—Poole moves to one of the command chairs and straps himself in. Maybe it's the front-projection system, they used for the studio-filmed Africa sequences, but those were large slides, not a film (and the film's grain would betray it), other than a brighter register, there's no betrayal that the two men weren't filmed at the same time...and the shot rack-focuses to keep Bowman clear.
How did they do this? Clues are available in the earlier scene: in both instances, Bowman writes and sketches with his right hand, the uniform insignias are both on the left shoulder...but in the earlier scene in the gravitized centrifuge, Bowman's hair is parted on the left side of his head but, in the control room, it's parted on the right. It is probably a mirror shot, double-angled to project an off-axis image of Dullea into the camera lens. Between the miming of actors throughout, the rotating sets with a single perspective, and the intricate timing of each, and pioneering hidden wire work and intricate matte shots, Kubrick was able to convey a sense of zero-gravity without having to resort to "vomit comets," (as is used today).
The Set-Up: Eighteen months after an inexplicable event on the Moon, the planetary exploration ship Discovery moves toward a rendezvous with the planet Jupiter, manned by astronauts David Bowman and Frank Poole (Keir Dullea, Gary Lockwood), three mission specialists in hibernation, and monitored by a HAL 9000 computer (voiced by Douglas Rain).
Action.







DAVE BOWMAN: How're you doing, Hal?

BOWMAN: Oh, not too bad.

BOWMAN: A few sketches.
HAL May I see them?



BOWMAN: Sure.

BOWMAN: Mm-hmm.



HAL Well, forgive me for being so inquisitive...


BOWMAN: How do you mean?






HAL Well, certainly no one could have been unaware of the very...







Just a moment... just a moment.





HAL Yes.













2001: A Space Odyssey
Words by Stanley Kubrick and Arthur C. Clarke
Pictures by Geoffrey Unsworth and Stanley Kubrick
2001: A Space Odyssey is available on DVD from Warner Home Video.

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